Smokey the Cat
Kelley Armstrong

Sixty seconds with Kelley Armstrong...

Kelley Armstrong is married with three kids and lives in rural Ontario, Canada. After graduating with a degree in psychology, she switched gears and studied computer programming. Currently, she's a full-time writer and parent. She is the author of the Women of the Otherworld series, the Nadia Stafford crime novels and a quintet of novels set in the fictional town of Cainsville, Illinois. The first novel in her new thriller series, City of the Lost, was a number one national bestseller.



RTE: Describe yourself in a sentence?

Armstrong: Leads many lives through her fiction, but happiest with the one she has right now.

RTE: What's the one record you'd take to a desert island?

Armstrong: I'm Your Man by Leonard Cohen

RTE: What did you want to be when you were growing up?

Armstrong: Veterinarian

Tim Dorsey

Sixty seconds with Tim Dorsey...

Ashley Weaver

Sixty seconds with Ashley Weaver...



Search Now:
In Association with Amazon.com

MILLER'S MOVIE COLLECTIBLES, The Film Poster Book by Rudy and Barbara Franchi. 325 illustrations plus extensive text on all aspects of collecting movie paper, with current values, sources, history, terminology, and trends. Order one at amazon.com.


 

Home | About | Reviews | Search | Submit | Links | Cons | Subscribe  Subscribe


March 11, 2017


You would think that a small town in the Yukon might be a suitable venue for a cosy, but if the town in question is Rockton in Karen Armstrong's A DARKNESS ABSOLUTE, you couldn't be more wrong. Sharon Mensing has only praise for this second in the Casey Duncan series, set in a place populated by those who have paid for the privilege of escaping their often dubious pasts.

QUICKSAND, by Malin Persson Giolito, has an unusual narrator - a teenaged girl implicated in a school shooting that resulted in a number killed and wounded. This one won the prize for Best Swedish Crime Novel last year and I thought it was well-deserved. Unsurprisingly, this young woman is not immediately a sympathetic figure and the same can be said for the protagonist of Australian writer Anna Snoekstra's ONLY DAUGHTER. All the same, Karen Chisholm reports, some readers, at least, will sympathize with her situation and wish her well. Both books seem headed for some heated discussion in book groups.

No ambivalence for Susan Hoover when it comes to LUCIDITY. David Conroy, she says, "has hit this one out of the park."

Jim Napier remarks that his review of THE PIGEON TUNNEL, John Le Carré's memoir, is longer than usual, but then, the subject demands it. It is, he says, an extraordinary life and an extraordinary book.

Adrian McKinty proposed a trilogy about The Troubles, the Irish euphemism for the decades-long conflict over the status of Northern Ireland. POLICE AT THE STATION AND THEY DON'T LOOK FRIENDLY is the sixth entry in the group and may or may not be the last. I for one hope he never ends this endlessly rewarding series.

Two books that Sharon Mensing reviews this week provide almost poetic celebrations of rivers. Erica Ferencik's THE RIVER AT NIGHT so impressed Sharon that she went back to read the whole thing again in order to savour the natural description. She also approved of Chris Bohjalian's THE SLEEPWALKER, which she compares favourably to his earlier THE DOUBLE BIND.

Cathy Downs, on the other hand, was less enthusiastic about Sam Shepard's THE ONE INSIDE. As a great admirer of Shepard's plays, Cathy was looking forward to seeing how he would approach a novel, and came away profoundly disappointed.

A CAST OF VULTURES, by Judith Flanders, is the third in this series set in London and starring a senior book editor. Caryn St Clair reports this is a wonderful addition to the series. London is also the scene for Nancy Boyarsky's THE SWAP in which a Los Angeles couple swap houses with their British counterparts. It is, as you expected, a nightmare, but one which Caryn quite enjoyed (and perhaps a cautionary tale for Airbnb enthusiasts). Caryn also read Trudy Nan Boyce's OLD BONES, which takes place in Atlanta against the background of demonstrations by Spelman College students. Caryn concludes that it is on the whole an excellent novel.

We have several cosies on offer this week. Nancy Eady reviewed two of the them and liked what she saw. As she remarks about Leslie Karst's A MEASURE OF MURDER, "What's not to love in a mystery that includes Italian food, music, and murder?" And there are recipes into the bargain. As for Nancy G. West's RIVER CITY DEAD, she warns that you might be prompted to begin saving up for a trip to San Antonio during Fiesta Week. Finally, Tonya Kappes proves once again that the mere fact of being deceased is no barrier to aiding private investigation in A GHOSTLY REUNION. Meredith Frazier reports that the book has some difficulties but still is fun to read, especially for fans who have been following the series.

Our visitor in the Sixty Seconds With...spot over to your left is Kelley Armstrong. Remember to check out what she has to say.

And if you want to know more about British crime, CRIMEREVIEW would be an excellent place to visit.

So there we have it for another issue. Don't forget to put your clocks forward if you live where that's what's happening at 2:00 am tomorrow. If you're reading this at some other time, then you probably have done it already or are hopelessly out of step and late to work. We'll be back, on April Fool's day - please drop by.

Best

Yvonne

ymk@reviewingtheevidence.com




P.S. If you wish to submit a book for review, please check here before contacting us. Please note that we do not review self-published books.


Our mascot and masthead is Smokey the Cat. Smokey the cat went to the great playground in the sky on April 29, 2008, at 3:30 p.m. He was about 13 years old, had diabetes and only 11 teeth left. He is much happier now. He will remain as our masthead and mascot.


Recent Reviews:


We have thousands of reviews archived on this site. Use the form below to search by title, author's name, or keyword (e.g., noir, cozy, PI, female, thriller, gay, cats).

QUICK SEARCH:

 




PLEASE READ BEFORE ASKING US TO REVIEW A BOOK




Publishers or authors wishing to submit books for review should contact the editors. Please note, before approaching us, that the publishing house must be a print publisher, pay advances and issue royalty statements, edit books, create covers, neither solicit nor accept financial payments from its authors, never copyright an author's title under the publisher's name, and never expect or ask authors to buy a certain number of copies of the author's books. As a general rule we will only consider books for review which have been published by publishers listed on the Mystery Writers of America approved list. We can never guarantee that a review will appear. And our reviewers are given a free rein to express their opinions constructively and honestly.

Please note that we review crime fiction and selected science fiction and horror. We have a policy of not accepting any religious books—and that includes religious crime fiction. We are unable to review any ebooks, unbound galleys, PODs, or PDF files.


OUR REVIEWING PRINCIPLES


Since RTE first appeared, some twelve years ago, the business of books has changed out of all recognition. Then, books were reviewed in the print media for the most part, though Amazon was encouraging readers to post their reviews of the books they read. Now, newspapers across North America have reduced or eliminated the space they allot to books and, with certain notable exceptions, only best-selling authors are likely to get noticed. As a result, electronic reviewing has become increasingly important and, due to the somewhat slippery question of online authorship, occasionally problematic.

For this reason and in view of a recent article in the NY Times detailing a reviews-for-hire enterprise, it's probably wise for RTE to reiterate its position on reviewing. While our reviewers receive galleys, ARCs, or finished copies of books for review, they are otherwise unpaid. Furthermore, they are asked to disclose any special interest they might have in a book or an author they are reviewing. No one, including the editors, receives any compensation for the work they do. All our reviewers are encouraged to express their honest opinions, whether positive or negative, about the books they are reviewing. None of our reviewers uses a pseudonym and all are who they say they are. Nor do we employ rating systems (stars, grades, "highly recommended," or the like) in the belief that our reviews deserve to be read in their entirety. Since RTE does not review self-published or digital-only releases, we are perhaps less vulnerable to offers to pay for reviews, but it seems a good idea to make our policy clear. Finally, in the years that I've been editing RTE, I have never once been approached by a press or a publicist to violate this principle in any way.


Contact: Yvonne Klein (ymk@reviewingtheevidence.com)


[ Home | About | Reviews | Search | Submit | Links | Cons ]